RESEARCH: Codes and conventions of : Documentary
Codes and conventions of a Documentary
Hand held camera
- fly on the wall filming
- narrative voice over
- creation of a 'narrative journey' in order to answer a question
- vox pops and interviews with experts/witnesses/participants
- often a shorter running time than non-fiction feature films
- intercutting/parallel editing linking key scenes
- use of archive footage or photographs to support films scenes
- mediated culture - documentaries select and construct, thus encoding opinion and subjectivity - key importance of editing
- selective editing crucial to constructing meaning - use of anchorage to encourage preferred reading
- often point of view encoded ideology, preferred meaning
- use of establishing shot and close up
- observational, interactive , reflective , expository, in formal 3 act structure , closed investigative narrative
- often single stranded, linear - one subject is often the topic
- exploration of narrative themes , messages and values of the film maker
- different purpose - to entertain , inform , educate, satirise, shock , provide voyeuristic pleasure and for propaganda purposes
- characters are often hyper real, exaggerated stereotypes e.g. Charlton Heston and Micheal Moore himself in bowling for columbine - real people framed in narrative roles such as hero or villain
- use of emotive or other music
- use of mise-en-scene or props to reinforce ideas about characters or theme
REFLECTION
This blog has helped me learn the key elements of a documentary
I also learned some new vocabulary
I can then use this information when filming for my final task
Comments
Post a Comment